lobelia.net

Hi lovelies.  So everyone knows that I’m crazy about looping.  I think it’s the most fun one can have outside of hog rasslin’ and whittlin’.  So I thought I’d post a couple of the latest vids in case you haven’t seen them.  Why?  Because I like sharing.  Why else?  Cause I’m in desperate need of your approval.  But seriously, we’re gearing up to do a nice little tutorial video on looping and using the Looperlative, which is the most amazing looper in the universe. Designed and built by one of the coolest and nicest people in the known universe as well.  Do you know what that means?  It means that looping has never been nicer, or more amazing.

So enjoy the videos and as always, speaking for frogs and rutabagas everywhere, I’m Lobelia.  Good day.

This is a new song called The Sound of a Breaking Heart.  I started the looping out on mute….which is a dangerous thing..cause not only you can’t hear what it’s going to sound like…I can’t either!!!  Also, a nice example of what happens when you get an extra beat in the loop live.  You just go with it and point upwards.

This is a song called In, which I wrote for bass and voice when I was 19.  I’d never done it live as it needed to have tonnes of harmonies and what not to work on stage.  And only a short 249 years later Voila!  Modern technology!  

How important is self esteem to your audience? I’ve been pondering this question quite a lot since last Tuesday…when a couple of producers who were interested in perhaps featuring me and my music in a TV series that they’re shooting in different cities around the world came to the show. I was very nervous of course, and to add a little more pressure I had planned a mostly looping set including a total a Capella improv piece. Due to nervousness, I did what I normally do…which is to make self-deprecating jokes.

At the end of the show, it seems that both producers really liked the music, but one in particular didn’t like my stage presence at all. The self-deprecation was annoying to him and he felt that it just wasn’t what he needed for the show. (this is what I gathered after chatting with the other producer/filmmaker that stayed) To be fair, there is a difference in how I perform to a room full of mates (which this show certainly was, and how I perform on a large stage to hundreds (or thousands) of people whom I don’t know.

There’s certainly a lesson to be learned here. Music is the one thing in my life that I am confident about. So why do I feel the need to apologise for myself on stage if I make a mistake? Am I spending precious time internally focused when I should be spending time connecting with my audience? I do know one thing for sure; when I open up and talk about myself and explain what my songs mean to me, I sell a lot more CDs and people stay to chat after the show. If I can’t show the audience that I believe that I’m worth the six squids they just spent to see me, or the time they took to travel to the venue…do you think they’re going to think I am worth it?

The audience has no idea how long I’ve been writing songs, or busting my ass to make a living in this business and probably most of them don’t really care. They came out to be entertained…to a PERFORMANCE, and me being apologetic about dropping a D chord on the 2nd verse of Morgantown and Montreal isn’t nearly as interesting to them as me telling the story of what the song is about. About the last night I spent with my friend before he was in a horrible car accident, and the guilt associated with moving on with your life and having to leave people you love behind. How life moves on after you do and people who were once your whole world get hurt….people are born, people die, and you can’t stop any of it. A lot more interesting eh?

The truth is, I’m always going to be a little awkward on stage; I’m awkward in person. I’ve spent enough time in my life trying to force myself into roles that don’t fit…trying to be things I’m not. I’m not going to change everything I do based on the opinion of someone I don’t know who has seen me perform one time. But I can learn from the experience and keep in it mind in the future. The whole reason I perform is to share little snippets of my life. I’ve created little snow globes out of experiences and I shake ‘em all up once in a while for you to see. The next time I do this, I’ll try and tell you more stories about the snow, I promise.

Lordy me. I can’t stop raving about how FANTASTIC this trio is. All you naysayers asbout improvised music may have to eat your hats after hearing Dodds, Lawson and Wood. As one of of Steve’s 8 year old fans said in a note to him. “This is grate! I’ve never herd enyting this good!”

First, take world class drummer Roy Dodds, who has played with the likes of Eddie Reader, Jacqui Dankworth, Theo Travis and many more…Couple that with solo-bassist extraordinaire Steve Lawson, (yes, so I’m married to him but I’d still think he was brilliant even if I wasn’t and then the icing on the triple-layer cake Patrick Wood, who in my opinion is a total genius. His sense of melody and sub-melody are unsurpassed. My problem with many Rhodes players is the fact that they just try to solo constantly and Patrick ALWAYS gives the song just what it needs….indeed all these guys are like that. The chemistry between them makes for a trio of imrovised music that sounds like SONGS. Brilliant melodic songs. Each time you go to see them it’s a new creation just for you, and not to be repeated. Perfect heartfelt swirling ambient goodness. Mmm mmm good AND good for you too!

Hi there All! Played a really nice gig last night at The Waiting with Robert Logan.…what amazing loop-bassed ambient IDM he makes. So lovely. I’m hoping to work with him a bit in the future on some of my crazy new a capella loopy vocal goodness. Please check him out!

Here’s a pic of us from last night…being slightly rubbish but having a great time!